I'm telling you man, it all fits together when you understand better the original Blade Runner. Blade Runner 2049 is a extremely well done sequel, visuals are almost too good to be true, with outstanding use of color and it further imprints the fact that not only is this a parallel Earth where history went a tiny bit different, but that the technology jump in 30 years time makes logical sense. The film is gorgeous to look at, and it proves the fact that film is a visual medium. That is the point of movies, to show artistic and grand scale visuals while telling a story. This is a prime example if I ever saw one, but not just in environment. Harrison Ford returns, albeit briefly in this film and quite possibly the two best scenes is where he hardly speaks. You can tell everything he is feeling through just facial expressions, he is that good an actor, his body language says what words cannot for his character. Speaking of which, all the characters are fantastic and wonderful. By far my favorite characters besides Decker is Joi, and Ana for one simple reason: although their characters are extremely isolated from the world they show great humanity. Joi is such a loving, wonderful person and to know the story of Ana and how it all ends....I couldn't dare ask for anything better. Joe is a really dang good protagonist, and while I'm at it he makes this almost 3 hour movie very engaging. I never lost interest once, the story and world is just so engaging to the point where it doesn't feel like almost 3 hours. And really, I only had two issues, one of which I got over relatively quick. First, is Joi. Now there is nothing wrong with her character, but more the tech of her. Since she's a hologram she can't interact with physical matter. Except when she can. It's so bizarre, I can't figure out why she can touch and feel one minute then be a hologram once again. But I love her character so much I can look past it. What I can't look past is this whole revolution subplot that's really missing the whole "Chosen One" aspect to make it completely stupid, it doesn't go anywhere after that scene so why is it in the movie? I would rather have that introduction scene they had to Sapper which they used in that weird variety of preludes to build up to this movie. Remember that? They had all these directors do scenes both live action and animated to build up to this movie. Throw that scene in, it gave a lot of character and respect and sympathy to his character, I loved it. But no, we get a flaccid at best revolution subplot that dies as quickly as it began. Yet even through all that, the appeal this film holds for me cannot be fully explained, cause well film is something greater and better than words, it's a gorgeous movie, with great characters, and a compelling mystery. What more could anyone ask? You know what, screw it I'm watching it again! I'll see you guys next week. Great movie, see it, buy it, love it. I'm going in!