The Wolfman

We're really keeping it in the family this week.

I've been aware of this version for some time perhaps even since it's release back in 2010, and by all accounts it seems a miracle I was able to watch it at all. It's very worthy to note this was a tumultous project to even get off the ground beginning in 2006, filming completed in 2008, but the film didn't get released until two years later with a constant search for a director and yet through it all come hell or high water Benicio Del Toro was going to be in this movie. That's some commendable ass behavior that seems rarer than a blue moon these days, he even had a producing credit, with great affinity for the 1941 original so a passion project this absolutely was for him. Taking place in 1891 England actor Lawrence Talbot returns to his home in light of his brother being murdered, and upon investigation is marked by the very creature that eviscerated his relative, leading a great many to hunt him down. This is undoubtedly a movie on it's own, yes it has sprinklings of references to The Wolf Man but ultimately does it's own original story throughout which is commendable. Being a period piece it's staggeringly accurate to the time and every penny can be seen on screen, with multiple effectively atmospheric shots in the forest that look beautiful at times, almost creating a canvas of gothic horror in a landscape where such a thing was as antiquated as the time period itself. The acting is decent, they are commited to the roles and while nothing big or bombastic is presented I appreciate the efforts all the same. Benicio is a solid leading man and big time props for him going through the special effects makeup which reportedly took 4 hours to complete, which also means brownie points for not going full CG all the time and only is used when necessary. This is one of Anthony Hopkins' more subdued performances yet even then it's easy to get involved with his character. I do believe this is the earliest film I've seen of Emily Blunt probably before she became famous and indeed it took me a hot second to recognize that was her, and she probably has the most pathos of all the characters. Again took me a brief second to recognize Hugo Weaving as an inspector who already has Lawrence pinned for the murders, and while he isn't in the movie much he does solid work and is a good opponent for Benicio to play against. I will say straight up hands down, easily the most gory and bloody werewolf movie I've ever seen and that's to be expected with special effects master Rick Baker on the production, and coincidence if ever there friggin' was one Rick won an Academy Award for best makeup for two damn werewolf movies, this one and An American Werewolf In London. Do not ask me how that works, the universe is a funny thing. Yet with all the positives present there's always gotta be one negative that keeps rearing it's ugly head, and I fully blame this on when the movie was made. God...damn it this movie is packed to the ever loving gills with jumpscares, predictable as shit, and drags the rating down because of it! I hate it with a passion. And from what I've seen the reception couldn't be more down on the movie, and while I'll say it's just okay maybe others can get more out of it than me. Clearly there are positives to be seen, but the scare factor is tired and the story and script probably needed just a tiny bit more polish to be really good if not great, but I can still say I'm happy I saw it. 2 stars, 6.5/10, let's hope for better tomorrow!

The Little Mermaid (2023)

Back. For a moment in time.

Sooo....I've lost count, how many subsequent years have they transferred animation to live action? Well they've been doing it since 2014 if you count Maleficent, but actually they've only gotten one out every year since 2019 but they slammed us with FOUR in that year alone so once more unto the breach! And shock twist everyone, I haven't seen The Little Mermaid since my pre-teen years and only remember these things which I shall list now. Our principle cast, the dog, four songs, we nearly got teen nudity when Ariel transforms, Ursula's design was based on Divine of Pink Flamingos fame and just drag queens in general, annnnd her dad had the biggest arc of all the characters. So mostly I'm walking into this blind, and I liked it okay. It's certainly no Cruella in my book but it sure ain't The Lion King levels of fucking useless either. It's decent, the story follows close to the original with some minor change ups, the cinematography is pretty good with no fear of using color or spectacle, the cast is solid, and I really only had two problems with the movie. The first being minor but too stupid to let slide, now I haven't seen the original in probably close to 20 years but I sure as shit don't think there was a brief rap segment in the movie. Seriously, what the hell?? Second, this isn't a detracting point at all it was just something in the back of my brain that kept poking me and saying hey this bothers me but, Ariel looks about 17 and Eric looks about 31, I have issues telling age because I'm old and kinda blind without my glasses, but it just kept striking me as odd. And yet I did like their romance, they had genuinely very cute and funny moments! Halle Bailey is uber adorable and effortlessly captures the wide eyed wonder, passion, and curiosity for the human world, I really can't say a bad thing about her even if I tried. Jonah Hauer-King is a decent lead, you can tell he has compassion and understanding which lends well to the budding romance and while they change his hypnotized state a the end and not for the better in my mind, solid. Melissa McCarthy as Ursula was a bit of a linch pin for me, cause I had no idea until fairly recently and I could see it going bad or good. She actually did quite well, got the drama queen personality, sported a Divine-esque look, and even sang well so no strikes there. Javier Bardem as King Triton, I'm always down for that man and while it is a minor part like in the animated film you still get a firm grasp on him being an overprotective father but they kinda did him dirty a notch by not showing regret immediately after he trashes Ariel's collection, it just gave him more of a dick edge. I think my favorite part of the entire movie is just how done Sebastian is with this shit chasing after this girl non-stop, it just made me laugh. I gotta say the movie sure showcased the beauty and horror of the sea, with more creatures and atmosphere than you can shake a stick at, but I do end up wondering how did they film the actors? Cause sure when it's the far away shots it's all computer, but how did they get them to float and swirl and have their hair move as if they did film underwater?? I have no idea so I guess movie magic isn't completely dead. I'm probably not gonna change anybody's mind on this movie and indeed it does feel like I'm shaking the rust off my typing fingers, but it's a decent movie. I didn't know what to expect so I expected nothing and got a movie that had moments I liked and ultimately walked out of the theater with another live action remake that didn't make me mad or sad. So victory is victory. And if nothing else this gives a redemption chance to those hack fucks who wrote such inebriated garbage dismissals of the animated movie. 3 stars, 7.5/10, and I guess more dimensional traversal next week so see you then.