Friday, October 12, 2018

Phantom Of The Opera (1989)

I'm actually happy this was the last Phantom movie I did for this week. Not only is it fully deserving of the horror genre but honestly, the Charles Dance and 2004 version don't qualify as horror so we ended on an incredible high note.


This might be my absolute favorite Robert Englund role ever, blasphemous though it may be to others. It's a pretty out there version of the story starting off in 1980s Manhattan where we meet Christine who discovers a manuscript titled Don Juan Triumphant who uses it for an audition. Unfortunately she gets whacked in the head with a sandbag and then it becomes a very, very different movie. She time warps to England in the 1880s. It's not a dream, she legit time warps. Hwhat?? My previous statement about how each version keeps the story interesting and different has reached new heights of truth. Then it kinda follows the story set in the book, young singer coached by a mysterious figure, love triangle ensues, masquerade ball, a graveyard scene not once recreated since the 1925 movie, etc. but there are either completely idiotic or completely brilliant story changes. The character of Erik has been completely built from the ground up, here he's an aspiring composer who makes a Faust deal with the devil that causes his disfigurement leading to him actually having to skin people alive and stitch their flesh onto his face. Whoa. Oh, and he's immortal which they actually had a reason for, believe it or not. This was actually supposed to be the first part of a two picture deal, they made The Phantom immortal so they had a film that could focus on the 1880s and then a film that would pick up in the modern day of then 1989 or perhaps 1990. And I for one greatly want to see that second movie, they were working on the script and Robert Englund was very excited to do the next part. And I can't blame him, this is a fun character! It's such a shame he got typecasted as Freddy because he genuinely has great presence and charm, able to be suave and bloodthirsty without making it stupid. They did great with Robert's version making The Phantom more creepy and disturbing, with some great lines throughout. So story is out there but great, but it doesn't stop there! The cinematography is gorgeous, the music by Misha Segal is beautiful particularly with Don Juan Triumphant, the gore effects are grisly and get under your skin (full pun intended), Jill Schoelen is a gorgeous and lovely Christine, there's so much to love in this movie! It's easily top 3 in my Phantom films and it put me in such a good mood after finishing it. An excellent, excellent way to end the week.

Well this was coming since my first yearly trip down Halloweentown, join me in Haddonfield next week.

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