Destroy All Monsters

Yes the "final" entry in the Godzilla series. Short but sweet I'd say.

I mean would Destroy All Monsters be the grand epic finale if it really was? Eh, it does a good job but it's no surprise that because this movie did so well the studio did a 180° and started cranking out more Godzilla movies. It's the last dream team entry of the entire series from Showa to Reiwa, Tanaka is producing, Honda is directing, Ifukube composes, and Tsuburaya does effects, and it really does show. I know some people give this movie a bit of flak because it's not the monster royal rumble but in all seriousness the pacing was excellent, for an hour and a half movie it barely feels like an hour long. You do get a good moderate amount of Kaiju action, from military scenes, to city destruction, to the big fight, so they got their bases covered and all is done very well. The story takes place in the futuristic year of 1999 where mankind has set a base on the moon, technology is pretty close to where we are now, and all the monsters have been rounded up (Somehow?) on Monsterland. But all goes to hell pretty quick when the Monsterland outpost is attacked, in such a fashion I was half expecting Cesar Romero or Frank Gorshin to be behind it, but no an alien species known as the Kilaak's have plans on what else? Taking over the world. OF COURSE! They quickly take control of the monsters and start an international attack on major cities, Rodan in Moscow, Mothra in Beijing, Godzilla in New York yes it's way better than the 98' version, leading the humans to thwart the aliens once more. Again, not a horrible plot though heavily similar to Invasion Of The Astro Monster, but I am happy the series continued on past this. The plot focuses more on the human aspect but it's not at all dull, there's always something going on whether it be shoot out's, new developments on the human's plans, space travel to the Kilaak base, it keeps you engaged. The monster stuff is handled very well too, with a greatly improved Godzilla suit, you get all new monsters added to this series that have been in other Toho movies like Varan and Baragon and Manda, the destruction scenes are good but of course the major highlight is the fight against King Ghidorah near Mt. Fuji and for good reason. The kaiju have their own unique attack styles, the fight goes for a decent length, it's hardly fair for Ghidorah and he gets curb stomped to death, it's good stuff. This movie easily has my favorite of all the opening titles so far, which is just an excuse for me to say Akira Ifukube is a master of his craft. Though the plot is familiar there's enough there to not just dismiss it as old hat, and you can tell every aspect got some serious attention in production. Some people say just watch the end, but I very much advise against it because it is a solid entry. I give it 3 stars, 7/10, and we are more than halfway there. 6 to go, and another step towards a lifelong goal will be accomplished.

Son Of Godzilla

Quite a leap from decimating Tokyo and being an allegory for the most horrific weapon in existence.

All good jests aside, Son Of Godzilla while massively divisive in the States didn't showcase the worst of this series. I put it on par with Ebirah, and urge everyone to see it just to find out where you stand. The story once again goes tropical with a team of scientist's working on a weather machine to influence food growth for the world, but apparently they never knew the premise of Geostorm otherwise they would have ended the project, but if that wasn't enough multiple kaiju are found on the island. Of course you have Godzilla and his probable son Minilla, but you also have giant preying mantises, and a spider that would put Tarantula to shame. Now I need to say, while the setting of the movie was purely for cost effectiveness because of the budget which is no bad thing I mean studios have shot films in local places for decades, just look at Vasquez Rocks and Bronson Cave, and the monster suits are pretty good. I seriously have no clue how they pulled off Kamacuras and Kumonga, because it's not your average man in suit technique which makes me think it's pure wirework but they do such a good job with it that it seems there is far more to it, once again showing even in the lesser renowned entries in the series that these special effects are an artstyle as much as just an effect. It's praise worthy for sure. Though I will admit the Godzilla suit is my least favorite of the series thus far, and Minilla while going through phases showing his growth isn't horrible, it's kind of easy to pick on this being the least good design of Godzilla's son. Now I've heard tale Minilla is quite well recieved in Japan but here in the States it's a true love or hate situation, do I feel it was entirely necessary? Nope! Even the writers really had no clue what to do next so they were throwing anything that would stick. Despite Toho being the most world known Japanese studio besides perhaps Studio Ghibli, they were on hard times in the late 60s through the 70s nearly going bankrupt. The Godzilla movies from Ebirah onward were made essentially to keep the studio in production because of how succesful they were with audiences, more so children now at this point, so I somewhat see the decision to appeal to as many kids as possible to keep tickets selling. But you can tell even with less than great entries it was never a cash cow for Toho and they still put a lot of effort in it. I think the human story is kinda interesting, the new monsters are good additions, the interactions between Godzilla and his son do work and you can tell what's going on through visual storytelling and physical acting, I even kinda like the relationship thing going on between Saeko and Goro Maki (yep the same name from both 1984 and Shin Godzilla, guess Hammer wasn't the only studio guilty of renaming protagonists), so I can't genuinely say this is a bad movie. You need to be in a specific mindset but I didn't mind it much. It's a kaiju family film and I can appreciate that somewhat. 2.5 stars, 6/10, the supposed end is near next time.

Invasion Of Astro Monster

Or pick whatever title you want, Monster Zero, Godzilla Vs. Monster Zero, it's a dime a dozen for these Godzilla movie titles.

Out of the Showa era, this is probably my favorite of the King Ghidorah entries. Ghidrah The Three Headed Monster was good, do not get me wrong and you could argue this could be a remake of that movie with a lot more sci-fi in it. The year is 196X, yeah back when movies had to be vague and stuff like this could actually happen, two astronauts voyage to a previously unknown planet orbiting Jupiter brilliantly named Planet X, we get one more and this will be the first Godzilla movie with a XXX (hoo-hoo), where an alien species makes first contact with Earth and requests their assistance. The aliens are attacked by Monster Zero or the kaiju formerly known as Ghidorah, and they want both Godzilla and Rodan to defeat it in exchange for the literal cure for cancer. We're not science fiction we are in fact, science fact over here at Toho. This movie was released in 1965, man had not yet landed on the moon but we're taking manned flights to Jupiter. I would be 86 years old and we still wouldn't have gotten to that point. Hell Star Trek wasn't even out yet, those 60s was the space age man. I was very happy to rewatch this movie again and to see it in it's native japanese was really nice. One curious thing to note is an american actor, Nick Adams was put in the movie for better international releases yet this is the only occurence at least in my memory that such a thing has occured in a Godzilla film. And even more so strange, he was dubbed in the japanese version which okay fine this is the edit for audiences in Japan, but that's never occured in another movie. I expected english audio with perhaps japanese subtitles, like when I watch something like Shin Godzilla with the japanese audio but english subtitles. Huh, how about that. I watch these to fully experience the performances sans dubbing, and yet I get dubbing in the original version. Blows my mind man. But enough of that, how's the rest? Pretty good, performances are really good, I like the designs of the spaceships and aliens, it's really friggin' cool to see Godzilla fight in outer space, I mean this is the movie that gives us the Godzilla victory dance for crying out loud, it's just a fascinating entry. And while the alien invaders plotline will get so dull even you'll want me to say something else happens, and this is where stock footage is first used albeit sparingly, I can't give this movie any good grief. It's solid, they play their cards right and still make a entertaining, special effects heavy, monster movie that doesn't go too weird or too quick. Keep in mind, weird is highly relative when it comes to this show. 3.5 stars, 7/10, and the directorial chair will be swapped out for Jun Fukuda next time.

Hail To The King: 60 Years Of Destruction

After watching that new trailer so many times and rewatching some Godzilla films lately, this popped into my head and I really wanted to spread the word about it.

I think, and this seems pretty definitive, this is my favorite documentary ever. And I've seen my fair share, I've seen Woodstock, 101 Biography Channel presentations, many making of film documentaries but this one really hit a chord with me. It's told from the perspective of a podcaster Kyle Yount, hardcore kaiju fan and Godzilla connoisseur as he treks to Tokyo to see how the japanese population is celebrating the then 60th anniversary of Godzilla. 65 years now and still going damn strong. And I think the reason why this is my favorite documentary like ever is the fact that, it doesn't just state facts for the record. It isn't a seminar on how the 1954 movie came to be and the subsequent impact on culture throughout the decades this series has made. It has passion to it, it's done in a loose but still highly professional manner and showcases both fans and creators in nothing short of a loving, respectful, and engaging fashion. It's not trying to be anything else than what it is and show the dedication and immense love held by the fans of this genre, tokusatsu. And the amazing part is not only does he interview and spend time with fans in a restaurant, or talk with an independent film director, he somehow...I don't know how got to sit with Godzilla acting alumni and talk with them about their involvement and appreciation for the films. That, is incredible. I was seriously shocked when I first saw it and are still just stunned watching it now. And this was not an official documentary. This was fan funded, independent, limited number of cameras, but because of the participation of fans in the production it grew into more. It's such a strange example because you have so much Toho material here, on YouTube 100% free, and yet it isn't officialy made by a television or news company, though I'm sure Toho gave it a stamp of approval. That just never happens. But they do it admirably and shine a light on various bits of culture peppered throughout, and not just focus on the monsters. Hell it could be argued it's as much a love letter to super sentai as well as kaiju, there's some love to your Ultraman's and Kamen Rider's. It really is a celebration of the whole genre as much as this film series. It's very genuine, you can tell there's a lot of passion, a lot of commitment, a lot of enjoyment, and man you just can't beat that. I know documentaries have as much production as movies, Christ even more than movies but it still feels real and free of bullshit. Big thumbs up from me, 4 stars, 9/10! Whether you just like Godzilla or have more than just your toes dipped in the water, give this a watch. At just a smidge over an hour, you can't lose much.