Yeah this movie is a bit weird.
Roger Moore's last bow as James Bond is set amid a strange yet still kind of enjoyable movie. The plot is somewhat akin to Goldfinger, Bond is investigating an electronics tycoon with intents to level Silicon Valley and create a monopoly on the microchip, and while the story isn't half bad the devil is in the details. Even Roger said he didn't very much like this movie and felt it was way out of left field for the series at that point and I do have to agree, and said he was far too old to play the part which I sort of see. Granted yes, the stunt doubles are so prevalent you could start a drinking game, it is odd to see Roger get in bed with such young women but honestly the man could charm anything and anybody, the villains though great are just bizarre, and I feel this would have made a fantastic first Bond film for Timothy Dalton. Regardless Roger does fine work in his last installment and it is a shame to see him go but what an impact he left which is still felt even today. Tanya Roberts is...not teeth grindingly annoying as some would suggest and she does have a nice moment here or two but the character was missing something for me. Honestly I would have loved this movie ten times more if we stuck around with that Russian spy, she seemed quite fun and had some history with Bond. Now let's get to the best part, Christopher Walken as the villain and flipping Grace Jones as May Day. Oh God it is simultaneously a stroke of genius and one of the most weird casting choices in cinema. But aside from the neverending fun that is Christopher Walken, I do genuinely dig Max Zorin's backstory of a product of nazi experimentation and that he worked for the KGB is endlessy fascinating and is a pretty great origin especially for a Bond villain. Grace Jones is not out of place in the weirdness that is A View To A Kill, and is a matchmade in heaven with Walken but I just don't know what to make of this character, but I'll be lying if I said she isn't fun to watch at times. The action is okay this time around but it certainly picks up in the next few movies but I can't blame it, Moore was 57 when they were shooting and I'm not going to say he should have doubled down on the physical aspects of the role. The whole film just feels off, not bad but off, if they changed two or three aspects of the film including our main star I wouldn't mind it a bit but the way the production feels is like they just wanted to make another Bond movie and not the next best Bond movie. It doesn't feel like an appropriate end to Roger Moore's tenure, whereas Octopussy ended just right. Despite the issues it has I don't hate the movie, and would give it 2.5 stars, 6.5/10, but would only really recommend it for the hardcore Roger Moore fans or if you're having an all out marathon of the series. Tune in next time for Timothy Dalton's The Living Daylights.
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