Showing posts with label Clifton James. Show all posts
Showing posts with label Clifton James. Show all posts

Monday, November 9, 2020

The Man With The Golden Gun

I know this is one of the lesser good James Bond movies but I still like it a bit.



I will admit the movie has problems, some making absolutely no sense whatsoever but it is more smaller things. The story is told well with Bond having to face off against the world's deadliest assassin for a solar device which could end the energy crisis which was a very real thing for Britian at that time. It's a decent movie in the series, it has issues yes but the good stuff still stands strong. I somewhat pin the issues of plot and character on the straining relationship between Albert "Cubby" Broccoli and Harry Saltzman the producers of every single James Bond film up to that point, and the fact that a lot of the elements of the production were rushed, this movie released just one year after Live And Let Die. Now granted the first four Bond movies were released one year after the other but it had adverse effects on the main star, and now the producers of this empire were falling on hard times. For better information than I could ever give I absolutely recommend the documentary Everything Or Nothing released in 2012, it is one of the best documentaries I have ever seen and a heartfelt telling of the history of the series. Yet through all the issues, they still gave us a decent story with a damn good cast. Roger Moore still delivers his own style of James Bond but takes on a bit of a rougher edge, more akin to how Sean Connery would act the scene in some circumstances and it just doesn't work for Roger. I certainly don't blame him for it but it was a misstep regardless. Christopher Lee is practically god-tier Bond villain for me as Francisco Scaramanga, able to play both the ice blooded killer and yet shows great levity and joy in certain scenes, giving us something of a window into how Lee really was in life, a charismatic, lovely, full of life gentleman known the world over. He is the reason I hold this film highly, and damn it I really want that golden gun. Not only is it geniusly crafted but I've been familiar with that weapon years and years before I saw the film, so thanks Goldeneye for the N64 you still rock today. Anyway, Britt Eckland is more of a bubbleheaded Bond girl as Mary Goodnight and was obviously showcased more for her looks than acting talent, but I still appreciate her for being a part of this series. And whatever faults I take with Goodnight are almost washed away by the character of Andrea played by the stunning Maud Adams who brings such a tragic light to a character and while not in the film for long still left a big impression on me, and I was thrilled to know she is in another Bond film but all in good time. Herve Villechaize is yet another memorable henchman and has some good personality that adds just that bit more to the screen. The action is more subdued in this one, with yet another instance of throwing their hat into the ring and having some martial arts fighting which was growing popular at that time, but it really is all about the final duel between Bond and Scaramanga and it does incredibly well! The pacing, editing, and setting are practically flawless and really was the best scene in the movie for me. All in all, I enjoy this movie and while I can acknowledge the faults it has it never detracts from my enjoyment. 3 stars, solid 7/10, and we'll be back for what could be Roger Moore's best movie of the series, The Spy Who Loved Me.

Sunday, November 8, 2020

Live And Let Die

Man, if I could pull off that Baron Samedi look I would.



Roger Moore's first outing as 007 is a pretty good one in my eyes, now you might be thinking how does Bond and a somewhat blatant Blaxploitation format mix? You'd think it would be an oil and water situation and fail miserably, but it turns out to be a pretty good movie. Bond is quickly assigned a new case after three agents have died, and investigates the prime minister of the fictional country San Monique, where he quickly discovers a heroin organization, voodoo cults, and a woman able to tell the future through tarot cards. It quickly sets the tone for Roger's tenure, able to have a bit of fun and joke while still being a credible spy movie and while I'm all for a serious spy thriller, the James Bond series has always been a bit bonkers since the beginning. The cast is one of the best we've had so far, Roger Moore though not being the Bond of my childhood grew on me very quickly and I love his performance more so than Connery and Lazenby. He has a cool, almost laidback personality, always with a witty retort or quip to ease the tension and to show his character, he can be serious when he needs to be but it's definitely a different interpretation of this character. Jane Seymour does well as Solitaire and I will admit her character is one of the most interesting in Bond history without even counting the foresight she has, she's a sheltered woman under the thumb of a cruel villain and is very conflicted when she meets James, she's a good character. I absolutely love Yaphet Kotto as Dr. Kananga, he's menacing, intelligent, charming, and even a bit fun but he never loses the edge throughout the film, he does damn fine work and I appreciate his hard work to make Kananga something different. In fact all the villains are class with every last one of them memorable and fun, Whisper though not used much is unsettling, Tee Hee poses a physical threat while still being very fun, and the master of the dead himself Baron Samedi played to honest to God perfection by Geoffrey Holder is a marvel to behold, he doesn't do much and is yet another criminally underused villain but the impact he leaves is undeniable. I fully believe he is an undead fiend, they straight up kill him twice and he still is around, the perfect mix of downright creepy and incredible fun I can almost recommend the movie on just him alone. The action isn't half bad either, with the highlight being the speedboat chase in the bayou's of Louisiana and while some say it's like proto-Smokey And The Bandit with some pretty good stunts, an emphasis on comedy, and the inclusion of fan revered or fan reviled Sherrif J.W. Pepper, I enjoy it nevertheless and it's great to watch but this movie came out first about 4 years before Smokey And The Bandit so I like to think it might have inspired something. I know this is one of the devisive entries in the series, some people love it and some people don'tgo for it, but I lean more toward loving it and do recommend seeing it. 3 stars, 7/10, a fine beginning for Mr. Moore. Next time though we get even more divisive so join me next time when we pay a visit to The Man With The Golden Gun.