Wednesday, October 16, 2024

The Man With X-Ray Eyes

Not as existential as I thought it would be but still pretty good.




This was one of Roger's more ambitious films with a budget around $300,000 dollars with a large emphasis on optical effects and experimental cinematography, following the experiment of a Dr. Xavier who develops a drug to enhance the human eye. Of course nobody would test it but himself as we watch his spiral downwards from skilled doctor, to carnival attraction, to card shark with an appropriately eerie ending. For a film at about 80 minutes long it doesn't take long for the experiment to occur and it certainly kept me guessing until the absolute end where it would go, and I feel in my bones this is a plot that could be expanded upon in a much more existential and horrific way but the touches we do get while understated are still unsettling. Imagine never having the respite of closing your eyes, imagine light being unbearably painful, imagine seeking peace when none will come to escape the far reaching gaze that pierces cloud, shadow, earth, and flesh. That's a different kind of horror, not quite body horror, not quite cosmic horror, but something people would not want to experience. The movie is carried exceptionally well on the back of Ray Milland as James Xavier, it's almost a performance based on his voice alone which is fantastic by the by, because it's hard to express the scope of such an unnatural power in the eye of the beholder but you can hear the pain and desperation he has. The experimental liquid is akin to a narcotic with him taking more and more culminating in a broken and dazed monologue at the end. I heard he wasn't keen on this movie but he performs very admirably! Diana Van der Vlis plays Diane another doctor brought in to explore the validity of the experiment and I have to give credit that no romance was written in, she's a colleague and a friend to this doomed man who tries to talk reason into him, though not a prominent part she plays it nicely. A surprise appearance by the great comedian and ball buster extraordinaire Don Rickles appears as the carnival manager Crane and my God is he great at playing this money grubbing scoundrel, again not around for very long but adds a unique element to the story and I gotta admit was great to see. The early 60s production gives a nice flair from time to time with set design, costuming, and dance moves but the beauty of the story is it really could be set during any time but the time capsule element is cool. The special effects are really damn interesting, seen entirely from the point of view of James with muddled colors, cross dissolves to see the interior working of man and machine, the choice of contact lenses for Ray, it comes together very dang well for my money. And for a person who has a substantial fear of unearthly eyes I'm happy it didn't freak me out too much but that doesn't mean eyes can't be a fair bit scary still. It's pretty impressive what Roger and the crew accomplished with such a budget during shooting and in post production, but Roger was a wild card in the deck of filmmakers that really did stuff his own way and was cost effective at doing so. It's not one of his most well known movies but it's a neat story that people can enjoy. 3 stars, 7.5/10 from me, and we got one more directorial effort from the great man himself before the week is out so stay tuned.

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